This year, Rhodes University is reaffirming its commitment to cultural engagement by significantly enhancing its long-standing relationship with the National Arts Festival (NAF). Set against the vibrant backdrop of Makhanda, the university’s diverse offerings are rich in research, pedagogy, and performance, shaping a national dialogue on art’s role in reflecting and addressing pressing social justice issues.

At the core of Rhodes’ 2025 programme lies a powerful theme of historical reflection, prominently featured in the stirring play A Childhood in Chalk. Crafted by the Drama and Education departments, this narrative entwines childhood memories with the unsettling realities of political resistance, recalling the school boycotts in Fingo Village from 1975 to 1985. Educators Thembela Madliki and Phemelo Hellemann lend emotional depth and scholarly rigor to the production, inviting audiences to confront the upheaval experienced during extraordinary times.

Meanwhile, Umbhobho – The Red Pipe, an Empatheatre production helmed by Rhodes Master’s student Siphosethu Mankai, harnesses storytelling to address self-development and identity. Blending real-life accounts into dramatic form, it offers a heartfelt introspection into the human experience through the lens of Life Orientation education, encouraging viewers to reflect on their personal journeys.

The integration of art and science finds compelling expression in Layers and Light, a unique exhibition by artist Ingrid Schudel. Presented at the Old Gaol on Somerset Street (now Hand Made Coffees), Schudel’s work challenges viewers to engage with themes of entropy and order. Drawing from her research in environmental education, the exhibition invites a deep reflection on knowledge and our ecological responsibilities, urging the community to consider their role in environmental stewardship.

In addition to artistic showcases, the festival acts as a catalyst for public dialogue and political engagement. One such conversation, The Impact and Influence of Steve Biko on Creative Arts Activism, led by Rhodes alumnus Sanele kaNtshingana, explores the transformative power of Black Consciousness in contemporary artistic practices. This discussion aims to inspire a new generation of artists to harness their creativity for social change.

Rhodes Music Radio (RMR 89.7 FM) also takes centre stage with its collaborative event, Tuning into Creativity: The Interplay of Radio and The Arts. Moderated by station manager Unathi Koboka, this lively discussion delves into the symbiotic relationship between broadcast and visual arts, illustrating how cultural production resonates economically and politically within communities.

Performance art makes a profound statement with Emotional Black Male, a one-man comedy performance by Thumamna “Uncool Tea” Sibhozo. This acclaimed artist employs humour and vulnerability to unpack toxic masculinity and emotional trauma, offering a candid perspective that resonates with many, particularly young creatives in Makhanda.

Music plays a pivotal role in this year’s festival as well. Echoes Across Continents, a recital by PhD candidate Belinda de Villiers, traverses a musical journey from Europe to Africa. In contrast, Gedichte der Seele, featured in the Spiritfest programme, provides a meditative experience through classical Lieder by Rhodes lecturers Devon Florence and Garreth Robertson, reminding audiences of music’s timeless emotional capacity.

Community engagement remains a focal point, exemplified by Butterfly Heart/Serurubele, a production designed to facilitate conversations about grief and healing among children and adults alike. Addressing themes of loss, memory, and recovery, it deeply connects with local families and schools, enhancing the festival’s outreach.

Emerging voices from Rhodes University’s postgraduate cohort showcase their talents in new plays like Wounds and The Dinner, providing critical insights into issues such as gender-based violence and intimate relationships. These performances underscore the importance of creative research in interrogating power and vulnerability.

The Eastern Cape Literature Festival complements the NAF offerings with a compelling discussion featuring Rhodes alumna Unathi Nkayi alongside respected literary figures Dr John Kani and Dr Jerry Mofokeng wa Makhetha. The event unites literature, music, and performance, illustrating the potent intersection of storytelling as a political and cultural force.

With 120 years of academic excellence embedded within the community of Makhanda, Rhodes University’s contributions to the 2025 NAF highlight its dedication to merging art with research, protest, and imagination. This year’s programme challenges participants to consider the complexities of learning and creativity in a city rich with contradictions and beauty. To explore the full festival programme, visit the NAF 2025 webpage.

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